
Modernist Legacies
Trends and Faultlines in British Poetry Today
Présentation | Table des matières
Présentation
The first collection of essays dedicated to experimental practice in contemporary British poetry, Modernist Legacies provides an overview of the most notable trends in the past 50 years. Contributors discuss a wide range of poets including Caroline Bergvall and Barry MacSweeney, showing these poets’ connections with their Modernist predecessors.
Table des matières
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Introduction
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Warring Clans, Podsolized Ground: Language in Contemporary UK Poetry
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Skipping across the Pond: Interaction between American and British Poetries 1964–1970
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New British Schools
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“Who Am I to Say? How Little”: Anthony Barnett’s Citations Followed on
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“Kinked Up Like It Wants to Bark”: Contemporary British Poetry at the Tomb of the Poète Maudit
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The Atypicality of Jeff Hilson: Metrical Language and Modernist Pleasure
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Balsam Flex: Cassette Culture and Poetry
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Caroline Bergvall’s Poetics of the Infrathin
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Transcultural Hybridity and Modernist Legacies: Observations on Late Twentieth- and Early Twenty-First-Century British Poetry
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Langwij a thi guhtr
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Strikers with Poems
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Forms of Reproduction in Wendy Mulford’s Early Work
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“Ill read ill said”: Faultlines in Contemporary Poetics as Ideology