« A Horse’s Tail: The Material Afterlives of Iconoclasm”, Séminaire HAR/LARCA : Wendy Bellion, Professor of Art History and Sewell C. Biggs Chair in American Art at the University of Delaware, Terra Foundation

« A Horse’s Tail: The Material Afterlives of Iconoclasm”, Séminaire HAR/LARCA : Wendy Bellion, Professor of Art History and Sewell C. Biggs Chair in American Art at the University of Delaware, Terra Foundation

Séminaire HAR/LARCA : Wendy Bellion, Terra Foundation, 121 Rue de Lille, Paris 75007,  mardi 12 mars, 18h – 20h  On the night of July 9, 1776, a crowd emboldened by a public reading of the Declaration of Independence pulled a huge equestrian statue of George III from...
New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000, 15–16 March 2024, INHA

New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000, 15–16 March 2024, INHA

New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000 15–16 March 2024 INHA (Institut national d’histoire de l’art),  2 Rue Vivienne, 75002 Paris, France, Salle Giorgio Vasari 2-day symposium sponsored by the Terra...
A conversation with Percival Everett : The Trees, looking back on 40 years of writing – Organized by the LARCA, « Frontières du Littéraire » – Friday March 1st 2024

A conversation with Percival Everett : The Trees, looking back on 40 years of writing – Organized by the LARCA, « Frontières du Littéraire » – Friday March 1st 2024

Friday March 1st 2024, 1.30 – 7, Olympe de Gouges building room 166 Organized by the LARCA, « Frontières du Littéraire »   Although he objects to being labeled an African-American writer, Percival Everett has been exploring not the Black American experience but the...